Amanda Aldridge was a successful British opera singer and trainer of opera music. She was born in 1866 and died in 1956. She trained with Nevill Coghill and Robert Wylie-Scott before making her professional debut at the Royal Opera House in London in 1892.
Amanda Aldridge life and career
Amanda Aldridge life and career have spanned opera, jazz, classical, and crossover styles. She began her serious singing training at the Conservatory of Classical Music in 2007. Amanda Aldridge was born on October 1, 1984, in Winston-Salem, North Carolina, to parents Linda and Gary Aldridge. She started performing at age two in local church services with her family. In high school, she formed a vocal jazz trio with two friends and performed at various regional events. After graduating from high school, she attended the conservatory, where she studied voice with Dr. Yvonne Hannaford and Marjorie Cohn before transferring to Rutgers University to study with Kathryn Stott! Here she became known as a lead alto soloist in the university’s acclaimed choral program and toured throughout New Jersey performing works by Mahler, Schumann, Tchaikovsky, Gershwin, and more.
Zerlina in Don Giovanni for Opera
While still in college, she made her professional opera debut as Zerlina in Don Giovanni for Opera Philadelphia. After this critically acclaimed role, she continued making appearances across regional opera houses, including the Lyric Opera of Chicago (Ildebrando), DePaul University (Thetis), Opera Grand Rapids (Aida), Madison Square Garden (Suzana), Minnesota Opera (Lucia di Lammermoor) and Washington National Cathedral (Requiem). Amanda Aldridge has also crafted an impressive repertoire of jazz roles, including Rhapsody.
How opera training helped her succeed as a singer
Amanda Aldridge was born with a congenital voice condition that caused her to struggle as a child trying to communicate. This did not stop Aldridge, however, from pursuing an opera career. Aldridge pursued vocal training and eventually found success as a singer and a vocal trainer. Her work has helped countless singers achieve their goals, and she has lectured worldwide on singing.
What Held Amanda Back?
Amanda Ira Aldridge was born in Newark, New Jersey, on January 4, 1991. She is an opera singer and trainer who has performed throughout the United States, Europe, Russia, and China. Aldridge’s debut album, Be Still My Soul, was released in 2010 and contains gospel music performances and classical works. In 2014 she released her sophomore album, From The Ground Up, showcasing her vocal abilities with songs including “I Believe” by Whitney Houston and “Hallelujah” by Leonard Cohen. Aldridge has completed voice training at the Manhattan School of Music and holds a BFA from La Salle University in Philadelphia, where she studied musicology. As a result, Aldridge has a strong knowledge of how to approach and interpret various pieces of music.
Aldridge credits her Christian background with influencing her musical tastes and career choices. She states that gospel music is more soulful than classical music, which is why she incorporates it more into her work. Furthermore, raised Catholic meant that Aldridge had to practice choir singing regularly from childhood onwards which helped develop her technique immensely. Her interest in opera was sparked when she listened to Puccini’s Tosca for the first time when she was just 13 years old. From then on, she pursued training in opera singing at the prestigious Opera Theatre of Saint Louis under Richard Tucker before moving to Los Angeles, where she continued her studies at the Ithaca College School of Music and Dance Under Dennis De Young who
The End of an Era: The Death of Amanda Aldridge
With great sadness, we announce the Amanda Aldridge cause of death of opera singer and trainer Amanda Aldridge. Amanda, a native of Rochester, New York, passed away peacefully at her home in Connecticut on January 24 after a long and courageous battle with cancer.
Amanda began her operatic career at ten as a soloist in Christchurch, New Zealand. She contributed to the operatic repertoire throughout her career, notably as Octavian in Puccini’s “La Bohème” at the Vienna State Opera in 1997. In addition to her singing ability, Amanda was highly regarded for her training skills as an opera coach and vocal director. Amongst others, she coached Natalie Dessay, Patricia Racette, and Renata Scotto.
While this was far from being Amanda’s only significant achievement in life – she also served as musical director for the Yale University Men’s Glee Club and the Lexington Women’s Chorale – it will unquestionably remembered as one of the most consequential. Her tireless work helped countless singers hone their craft and taught them valuable lessons about commitment and perseverance. We are indebted to Amanda for all she has done for music over the past forty years, and our thoughts continue to be with her family during this difficult time.
A postscript to Amanda Aldridge death
Amanda Aldridge, the opera singer and trainer died at 60 last week after a long battle with cancer. Born on October 10, 1955, in Birmingham, England, details of Aldridge childhood are largely unknown. But it is known that she grew up singing in her church choir and took up opera singing as a hobby when she was a teenager. After completing her training at the Royal Academy of Music in London, Aldridge made her professional opera debut in 1979 as Gilda in Rigoletto. She would go on to sing roles including Mimi in La Bela Marietta, Musetta in La bohème, Adelaide in Un Ballo in Maschera, and Kundry in Parsifal, amongst many others.
Television and radio program for her legacy
She also made several guest appearances on television and radio programs such as Saturday Night Live and The West Wing office power. In 1994, she recorded an opera Arias album, which became a critical success. Towards the end of her life, Aldridge retired from performing to concentrate on her career as a trainer and coach, which included teaching students from around the world about opera singing. She passed away on September 25 at the age of 60 after a long battle with cancer.
Amanda Ira Aldridge has some final thoughts on how to be a successful opera singer. “First and foremost,” Aldridge says, “being an opera singer is not about the voice. It’s about the passion and dedication you put into your craft.” Aldridge also stresses the importance of good vocal technique: “You can have the best voice in the world, but if you can’t use it correctly, no one will hear you.” Finally, Aldridge offers advice for aspiring singers: practice hard and never give up on your dreams.
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